Wesley Knight 0:00
This is a Kun V studios original program. The content of this program does not reflect the views or opinions of 91.5 jazz and more the University of Nevada, Las Vegas, or the Board of Regents of the Nevada System of Higher Education.

Anika Jones 0:16
Let's get scratching. Ladies and gentlemen, welcome to the vibrant world of graffiti Park radio, where creativity knows no bound, we'll tap in with artists, educators, our proud partners and community stakeholders who believe in empowering the next generation of visionaries beyond the hidden alleyways, abandoned warehouses and local city transits, where artists are known to leave their mark, graffiti Park Foundation has redefined and reimagined the persona street Museum.

Dan Moloney 0:44
Good morning.

Anika Jones 0:45
Good morning. Thanks for having us

Dan Moloney 0:47
or afternoon or evening. You know, whenever you may find yourself tuning in to graffiti Park radio, we're gonna have a fun episode. We've been having a good time. Been having a good time hanging out. This is our first episode where it's dark out. Shout out to daylight savings or not if you're not into

Becca Goodman 1:07
that. Yay. Seasonal Depression. That's fantastic.

Dan Moloney 1:10
Oh, here we are. Here we are.

Dan Bulgatz 1:12
So to combat that,

Dan Moloney 1:14
it's cold, yeah, it's chilly out. First episode in a hoodie, also, which is weird, because the last one was in October, so yeah, but it was

Becca Goodman 1:21
still like 100 degrees. It

Dan Moloney 1:22
was actually Las Vegas, Nevada. Anyhow, you got the dance here, hey. Oh, and Miss Anika, hi. And today, we are welcoming a very special guest. Miss Becca.

Becca Goodman 1:33
Oh, hello.

Dan Moloney 1:34
How you doing?

Becca Goodman 1:34
I'm well, how you doing?

Dan Moloney 1:36
I'm doing good. How do you for the guests, how do you how do you pronounce your art name?

Becca Goodman 1:43
I am Becca Goodman, and my art name is Bucha. That's how a chicken says my name, Bucha. Good you can also call me Bucha.

Dan Moloney 1:50
We just had to get going with that. I thought that was an appropriate way to kick things off. We're gonna start off with a new segment, graffiti Park radio. We're calling this rapid fire question minute. I was gonna say hour, but not now. I also, for the record, got banned from tongue twisters from my team prior to this episode. So

Becca Goodman 2:16
hey, I'm still happy

Dan Moloney 2:20
to be here. Um, all right. Favorite Canvas type, wall, normal Canvas, or unique canvas, like shoes, purse,

Becca Goodman 2:30
something weird, something weird like a bowling pin,

Dan Moloney 2:33
bowling pin. Do you have a favorite weird canvas that you've done? No,

Becca Goodman 2:37
I have commitment issues

Dan Moloney 2:40
like it, all right, all right. Favorite marker brand you got poscas, Molotov or Montana? Oh,

Becca Goodman 2:47
what am I doing? Probably nine times out of 10 a pasta, okay, but depends

Dan Bulgatz 2:53
on what,

Becca Goodman 2:54
what surface area,

Dan Moloney 2:56
okay. Oh, that makes sense. What if you're doing like a brick wall?

Becca Goodman 3:00
Definitely not my past.

Dan Moloney 3:02
Oh, is that like a like a tip situation? It is heard that. All right,

Anika Jones 3:08
ladies,

Dan Moloney 3:10
last one. Unless Anika wants to interject,

Anika Jones 3:13
I'll interject. Speaking of ladies, I like that. This is the first time we are having a lady sit down with us today for graffiti Park radio. I wanted to ask you, because I know I had to get into the zone. I said, You know what? I'm on this female empowerment trip, which I always am. Let me play my female playlist with all my girl power rock. What song? What type of music gets you in the zone?

Becca Goodman 3:36
Nine times out of 10 I'm listening to video game. She'll hop remiss. Yes, kind of stressful. I just need to zone out, man, can beat 12 again, but with a cool beat, with a cool beat,

Anika Jones 3:49
I think usually we're at okay. I think that's where we're at with music now,

Becca Goodman 3:52
traffic here. No, that is going to be like 90s gangster rap. It's traffic's fun here, yeah,

Dan Moloney 4:03
that's it. It's a great time, actually. All right, last set of questions. Rapid fire, three words to describe graffiti Park, uh, colorful,

Becca Goodman 4:11
fun, helpful.

Dan Moloney 4:16
Okay, it's our new segment brought to you by graffiti Park radio to kick things off. Well, Becca, we appreciate your time. Last minute, coming on, hanging out with us, I guess, start us off. Tell us a little bit about yourself.

Becca Goodman 4:31
Well, I do hear art in Las Vegas. I've done a lot of stuff with you guys. I think I have. I wrote that I have 10, I have 10 murals with you guys that are standalone. And so that's not just the projects there, but I do a lot of like live painting downtown. Do a lot of stuff with Clark County. I just had a workshop yesterday. So doing a lot of art, I do art that is, I am a working artist. That's pretty much what I do, and that's usually how I define it. I'm a working artist. A lot of artists have other jobs, but at this point, art is my job. I teach art. I am always doing art in some capacity.

Dan Moloney 5:10
There's a lot of layers. I want to unpack that answer. It's like the best answer we've gotten. Usually

Becca Goodman 5:15
it's like a lasagna, yeah,

Dan Moloney 5:19
yeah. And the more layers the better in there. I can't

Anika Jones 5:23
lie to you, I'm not a cheeser, but I will ask how, what inspired that lasagna for you? What inspired that little spark to do a little bit of everything in art, money?

Dan Bulgatz 5:36
Oh, cheese.

Becca Goodman 5:37
That would be the cheese on. No, it does it. I hate to say that, because being a working artist, that you got to separate like the art that you're doing to sell versus like process art I'm doing that I don't show any of y'all. You'll never see that art, that art's for me, but like, the layers with why I'm in so many different pies is just to be on the scene like you have to know a lot of people like in town to be in shows and just stuff like that. Yeah, meet. A lot of people show up to events. Just do the thing.

Anika Jones 6:07
Yeah, like this, yeah,

Dan Bulgatz 6:11
I like that. Be open. Wow.

Dan Moloney 6:13
Do you have a favorite like you meant you've mentioned to that point that you're in all these different facets and different things. Do you have a favorite one that you like pursuing? No,

Becca Goodman 6:24
I have commitment issues. No,

Dan Moloney 6:26
we're doubling down on them. Not

Becca Goodman 6:28
at all. No, I haven't met a medium I didn't like yet. Like how I really got into art and decided that that was something that I wouldn't I wouldn't like the artist growing up like I didn't be an artist until I was an adult and I took a sculpture class, and that's what really got me into it, because that was, I don't know that's what really got me into it, and made me be like, hey, maybe I'm kind of good at

Dan Bulgatz 6:48
this. And when was that, and where was

Becca Goodman 6:49
that? That was a long, long ago, back in that Texas we were talking about that was I worked at a college, this college, at tvcc, for like, 10 years. Okay? And when you work at a college, you can audit classes. And so I took a lot of art classes. And I took art classes with people who had been doing it for like, 10 years, okay? And this would have been 10 years ago, around 2010 when I God, what is time 15? I don't want to talk about it anyway, but no get and then getting into that class, I was really intimidated, because they were really good 2d artists, and then I got in that 3d class, and it turns out I was kind of good at that, and they struggled with it. And so I was kind of like, hey, maybe I'm good at this, and maybe I might, maybe I should try. And so that was my first love, and that's actually what I did for a long time before I got into painting.

Dan Bulgatz 7:37
And was that as I'm sorry to cut you off, was that as self found, or was that because of some of the professors and some of the teachers there, or what really caught your attention?

Becca Goodman 7:48
I was trying some stuff. I took a photography class too. I was just trying out different like art stuff. I went ahead and got my Associates and was very responsible about it, and didn't take any fun classes. And then I landed that job, and then so I started taking fun classes, like my free time.

Dan Moloney 8:04
So that Job was unrelated to art completely.

Becca Goodman 8:07
That was, that was student support services. My degree is an IT. I have commitment issues. I don't know what I'm doing, but I

Anika Jones 8:16
love that. You say you have commitment issues, but the truth is you have multi faceted talent that is just unbelievable, that it's this new, like you're saying, that you just got into this, but your digital art is incredible. Your stickers are like, all over my house, all the things that I own. I love this film element that you have that's like a spooky but almost like a creepy creep, yes, vintage images that are really like a surreal, sort of surreal pop kind of classic. Like, where did you draw that interest from? Just kind of, probably pop, pop culture, absolutely, a lot of cartoons We're from the same kind of era I draw inspiration from a lot of the things you do, too, this horror element, these like sexy women with the dreamy sort of vibe to them, but just very strong element. Do you feel like that's coming from inside, or just images that you saw that you like, like, where is that

Becca Goodman 9:10
I like, John, pretty girls, like, like, I have, I wish I have, even before, like, I was the artist. I've always liked to draw, but it wasn't like anything serious, yeah, but like, I used to draw like girls a lot. It's hard for me to draw boys, too. It's a challenge, yeah, so it might be a cop out. I don't know. They're fun to draw people like them, so it's, I've got a really good response with them, so I've just kept flexing that one. But I don't know, I had lots of different styles. I think I'm going to do an impressionist style for this live painting. I'm kind of bored with the pin UPS right now. Yeah, you

Anika Jones 9:46
have a lot of different elements that are really great, really great.

Dan Moloney 9:49
You have a pair of paintings in our gallery, and if you're interested, you can tell you where to find that here, but you can find that at graffiti park.org, what? Do you know which one I'm talking about in their hair? Yeah, that's

Becca Goodman 10:02
the hot girl summer. Hot Girl summer. Yeah, they're the pool girls.

Dan Moloney 10:06
The pool girls. They're like, hair is the pool, right? So those were fun. Those were fun.

Becca Goodman 10:12
I like making silly art. Just fun art, mostly.

Dan Moloney 10:16
So what do you you mentioned there's art that you create that's like for yourself that you don't share. Is there a particular medium, or is that all those like you were saying? Is that all those different mediums as well? And

Becca Goodman 10:29
I'd say most of that is honestly pins like this, like because I used to do that a lot, like those multi click pins you get when you're a kid. I'd say most of the art that I kind of do myself, and I don't show most people are click pins, because you can do those quick somewhere in the moment. Yeah,

Dan Moloney 10:44
do you have any like, sort of routine to that? Like, is that something you're like, Oh, I sit down once a week and do stuff like that? Or is that I

Becca Goodman 10:51
barely have any routine in my life? Like I am struggling to do laundry.

Dan Bulgatz 10:58
I appreciate the honesty, yo, like

Becca Goodman 11:00
i have i That's one of my goals, I guess, is kind of getting a little bit more serious about this, even more so serious with more routines and stuff. But being open and flexible like that has lent me some opportunities that sometimes having more of a schedule can't give you Sure. So it's got, like, you know, pros and cons and stuff, but no, I paint every day because, like, I paint at work. I paint like, it's a struggle for me to sit down and want to do from art for myself. Like, that's something I gotta, like, work on in 2025

Dan Moloney 11:32
nice, God, that sounds Yeah, I think that's, uh, isn't that the year that Terminator comes from.

Becca Goodman 11:44
Both of those years happened, like 1997 I think was when they became aware or something. Anyway, we

Anika Jones 11:51
have to come back. Yeah, that's great,

Dan Moloney 11:54
because I, you know, like Arnold, he came back. He came from 20, like 40 years. Oh, where

Becca Goodman 11:58
he came from?

Okay.

Oh, dear God, that's where we are. Now, I thought you were just talking about when they became

Dan Moloney 12:05
we're not fighting cybernetic organisms. We're doing anyhow, yet, sorry, nerd and out there. That's

Anika Jones 12:13
okay. This is a space for that. Absolutely.

Dan Moloney 12:17
That's fine. Okay.

Dan Bulgatz 12:19
I want to jump back, though, so you're at college, you're taking all of these classes. What was the next step in your artistic journey? Or what was the next breakthrough that you found where you're like, Oh, this is something that I could do professionally and full time.

Becca Goodman 12:33
Well, we moved across country, California, and I changed careers. I started working at an art studio. It's an independent one. I think they're still there, but it was in San Mateo, okay? And I started just as like a receptionist type situation, where manager and I had to schedule people to do the classes, and I messed up and didn't schedule someone for a class. And so that was the first class I taught. Like, I'm not really scared of talking in front of people or anything. I'm actually more scared of this because I make weird faces and sounds.

Dan Moloney 13:15
She did inquire on if she had to show her face, do you want to come on? She said, Do I have to show my face, and for those of you listening, we do record these with the video, yes, to eventually show so there's

Anika Jones 13:27
a lot of weird faces and sounds going on anyway. But then

Becca Goodman 13:30
people started paying me to teach those to do art. And then I decided I could call myself an artist. And then moved here, and I still do that. I still teach art to adults and children, and that was mainly the left turn that caused that. But Vegas has been good to me. This is a really good art scene out here. There's a lot of welcoming people, pretty much every aspect of it, every place. There's a lot of open calls for art here. There's not a lot of open calls in every city, you know. So there's, I would say the opportunities here just kind of allowed me to continue it like after the pandemic, when everyone went crazy and I got to move here, when there were no cars on the strip and horses were that

Anika Jones 14:18
was fun. I was born around that time. No, go ahead.

Becca Goodman 14:21
That's we're not gonna talk about that. We're like the same age,

Anika Jones 14:27
divorce and buggy,

Dan Moloney 14:29
the reminiscing. I like it. What challenges have you you talked you know, you made that change. What challenges have you found as you're paving this artist's journey for yourself in terms of either maybe create a process, like getting blocks, that sort of thing, or

Becca Goodman 14:49
probably like finding a style, or just giving up, that you don't have to find a style to like be an artist, or push art and do it, and that maybe you just feel like a style on. On Tuesday, like, I got really hung up on, like, trying to figure out what kind of artist I was going to be or and I I would beat myself up for not being like a good watercolor artist, or like graffiti artist, like working just in like spray paint, or just purely a ceramicist, and be like, jack of all trades, master of none the whole thing, and just stop kind of beating myself up about it. Yeah, it's the main thing to get over, like, and just straight calling myself an artist. It took, like, a couple of years to where people were paying me for art, where I was like, I guess I am. Nobody comes and tells you, when you become there's no ceremony or anything for that, because even if you have a fine arts degree, doesn't mean you're making money with art. Like I know a lot of Uber drivers with fine arts,

Anika Jones 15:52
I don't know absolutely well, you're showing the essence of what an artist truly is. And you know she's understating her talent. The portraits are unbelievable. You have three portraits of these women that are just so breathtaking. You can really see the emotion just in the background. You can see the emotion in their eyes. You have acrylic paintings that are incredible, that are very, you know, pop culture related for millennials and all alike, right? And then, of course, you've got these digital artwork that is just amazing that you're doing. Amazing that you're doing with stickers and things like that. What do you and your murals that are incredible? And actually, at my school that I absolutely love, two at Yes, yes, she's very proud of she always reminds me that it's not just one. You always remember the first one, one resident artist. What do you feel like you are channeling now the most, and that you want to, like, work on solely, and you're kind of pushing away from so much, I

Becca Goodman 16:46
guess, my next, my next real big art goal is I want to show in LA, nice. So that's nice.

Anika Jones 16:53
I'm going, Yeah, come on,

Becca Goodman 16:55
like, come to my gallery opening in LA. I just want to, like, say that out loud, like, somewhere, because New York's a little too big and scary, but LA is right over there. All right, let's

Anika Jones 17:04
do it. You said it. You said it on air.

Becca Goodman 17:05
That's a big thing that, like I have coming up, that I really want to focus on some calls for art out there. I've been expanding the cowgirl series that I had that's going on a zap box, which I'm pretty excited about so I'm stoked about that. But those are, those are some things I've got, if I don't mind, if I

Dan Moloney 17:26
don't know what a zap box is. Can you walk me through that? That's

Becca Goodman 17:30
that is through Clark County where we go out and paint utility boxes. And mine will be on the corner of lamb and Las Vegas Boulevard. And I'm super stoked. And yes, I'm going to paint a pretty girl

Dan Moloney 17:44
on it. What type of medium are you using

Becca Goodman 17:47
that's going to be acrylic and spray paint, as per the rules. Heard

Dan Bulgatz 17:52
that. What is it you had mentioned? Like you have this goal to have a show out in LA what does it look like as an artist to set a goal and then to start to work towards achieving that. Like, is there a certain process that you undertake in order to achieve certain goals being a full time artist?

Becca Goodman 18:10
Oh, well, you think about it a lot. I'm not kidding. Like, just a lot. You got to think, think about it. You got to do the legwork too. Like, you got to set yourself up to be in that position. Probably the biggest thing I could tell to anybody who wants to get out there and start showing art is to go out and meet artists. Like, I don't know that's the that's the thing to be thinking about is like, how, how are you going to get there? Like, you kind of need to go out find the people that have done the thing you want to do. That's what I'm going to do. I'm going to go look at people who are shown in LA, well, How'd they get there? And just like copy that to the best of my ability, while also giving it my own flair. Because copying the wrong kids, be yourself. Be yourself. Be unique, like everyone else.

Dan Bulgatz 19:01
No, I really.

Becca Goodman 19:05
But no, like, I don't know. Nobody's gonna buy your art in your kitchen. You you're gonna have to problem. There is social media and stuff, but I gotta tell you, I tried that one. I meet people, dude, go out and meet people. That's probably the best way that you're gonna find success with art, that's that's the catalyst, really, I'd say, making connections with people,

Dan Moloney 19:26
which is, I think, for the artist community, sometimes a tough pill to swallow, because artists can be such like a personal experience. And a lot of artists, at least in my experience, are not necessarily the most like outgoing bunch, and they're kind of introspective, and what's the word? I'm looking introverted. And so I think that's important advice to listen to. Is like, go out there and get a part of a community. Graffiti Park is a fun community.

Becca Goodman 19:54
I came to an open call. Like, just No, you know, and

Dan Bulgatz 19:57
can I ask? Is, what was it like for you? You as an artist, almost a full time artist, when you came to Vegas and to this, to come to a graffiti Park event, and what was it like getting involved? What was the first one?

Becca Goodman 20:09
The first one was Ron's own, and I was so scared of that spray paint that I did most of it with house paint. And then the only spray paint on that one are the purple lines that are going around the planets and stuff. But no, it was great, like, I came back. No, it was, it was again, great experience. That was one of my bucket list things, a mural that was on my like artist that was one of my goals, and so that helped me achieve it. And I don't know if y'all know it, but y'all got me my job, like, because I met Samir out there, and he got me that that interview. So Wow. Like, amazing connection to meet people you heard it here. Like, you gotta, you gotta do the thing. And I don't know, separate yourself from your art a little bit. That's really hard to do, but you like, absolutely have to, if you want to make a living with it. What do you mean by that? If you want to make a living with commercial art, like, if you want to do commissions for people, if you want to make bespoke art, if you want to go that type of thing, you separate that from, like, your personal your process art, like, if somebody doesn't like a piece of that. It does not mean they don't like a piece of you. Boy. That took me a long time to get to that point to feel that. Because, like, when you're an artist, you're like, here's my soul. Do you like it? You know, like, so it's try to make that art for yourself and like, if you want, you want to be successful. Like, think of this more, and it helps me to think of myself more as an artisan sometimes, sure, like, whereas I'm using these skills that this other stuff I do for myself helps me with but like, that is separate and that's for me, or maybe if I have my personal goals with it, I might feel some feelings about it, but like a mock up gets rejected. That's not you, that's okay, and you'll get more jobs, if you like, come back and you keep, like, resubmitting it. So that's just like, chin up. It's not you. It really isn't. Most people have no idea how long it takes to fix it, so keep that in mind too.

Dan Bulgatz 22:15
Any words of advice for artists that are struggling with accepting that or finding even their own lane to find clients to come and seek them out for their specific kind

Becca Goodman 22:27
of art. That's, that's hard. It is hard, like, I'm not gonna lie, like it's, it's, it's a lot of hard work, and it's luck. Like, I'd be lying if some of it wasn't, like, a part of it being, being luck. But if you want to get into shows, you want to do something and be noticed, do something different. Like, that's pretty easy. Like, if you can't find a style and be different, like, okay, for example, like, when we had to do, when we were doing, what was that? The NFT convention, we were live painting. Everyone else had their sideways. And I made, I made, turn mine with, like, some bricks so that it would be up and down. Like, if you want to, like, set yourself apart, just turn, turn it different. You want to, Hey, kids, you want to get into a show do a 3d piece, because everybody else will be 2d like, that's how I've gotten into. Half the shows I've gotten into is because nobody else is submitting sculptural work, because there's, like, not as many people that want to do that and put in the effort, but like, if you, if you really want to, like, do that and just get noticed or whatever, be obnoxious. It works. It worked for me.

Dan Moloney 23:37
We were having a similar conversation with Cody not on air. Cody Womble, who was also on graffiti Park radio, he is not obnoxious, and he's not obnoxious, no, but we were having a conversation about that, that idea of separating yourself, one of the things that really stood out to me was he was like, you know, and with graffiti Park, we're trying to work with up and coming artists, and that's why we try to kind of structure these conversations as informative and educational in natures for those listeners. And one of the things he said, and I want to come back to that, is it's some artists need to be told no, like, no, that's not going to work. Nope, that render doesn't look good. And to your point, I think there's no real way to Dan asked you the question, like, what advice do you have? Like, there's no real way. There's no advice to take. It's you have to get reps in being told, No, yeah, and being

Becca Goodman 24:28
you just have to, like, start framing those rejection letters. Like, don't just keep keep going. Like, and I don't know, make out your process art. And,

Dan Moloney 24:41
like, a lot of times we act as like this, like, insulation between an artist and a client, and Dan and I get told, No, a lot like, no, that's not gonna work, you know. And we're people, people, so we'll go to the artists like, Hey, how about we tweak it a little bit? But that's not how the client told us, and that's not personal and like, and. So I think that's a very often recurring theme in these conversations that we have purposely having with full time artists and artists that make a living doing those different things. So that's why I'm honing in on that. Because I think that that if you can learn that sooner, that will set you apart. Well, not

Dan Bulgatz 25:19
only that, but like, if you start with no, you can get to the Yes, so much faster, especially if you have a client where you, if you give them something and they're like, No, I hate it. You're like, Okay, well, what don't you like about it? And then they point out certain Okay, well, what elements can we take or pull out or switch in to get to where they you know, feels to where it feels right, to where it feels well. And so I think for artists, it's important to hear like again that, no, don't attach it to yourself, but use it as a propeller forward to getting to the finish line. Yes,

Becca Goodman 25:45
like, it's it, ain't you, baby, it's not. It's never it, and it rarely is. And I've had to be on the other side of those, like decisions with art and stuff too. And it's usually, or be the one to tell people no and stuff with it, or to move stuff around, and it's, I'll tell you guys something, some little pro tips, just like, this is different. This is different than what we envisioned. Or like anybody even that's been doing it for a hot minute understands with us exactly, but it is. It's just, just do your own art for you. If you want to make a living with it, you got to detach yourself from it. You have to, or you're going to like to have some problems,

Dan Moloney 26:26
right? The common example I use is like, you know, you're not Picasso like, they're not looking for, like, your spit, you know? And it didn't take it yet, you know, they're not looking for your style. They're looking for, what

Becca Goodman 26:41
the thing of the hang up with style like, right? Yeah, I see so many you said that, yeah, you're so hung up on like, I've got to have my own style, and I've got to, like, no, like, just, like, do some stuff, throw a bunch of things at the wall until, like, something sticks, try different classes, try different mediums. Like, you might be like, missing like, your niche, like your thing, because you're like, I've got to be the best watercolor artist, like I was thinking, or something dumb. Well,

Dan Moloney 27:06
we're coming towards the end here. You know, I know you mentioned some goals for 2025 what exciting projects? Things do you have coming up? Well, mainly

Becca Goodman 27:16
that sat box excited about that. I do have another workshop coming up with Clark County. Those installations will be, you can check those out. Those will be a few rec centers. The big one will be at Whitney, and that one will be in February, and that one will that one's cool because that'll have everybody who's in that whole group only like a little group show of all the Youth Art,

Dan Moloney 27:38
cool stuff going on is that Whitney ranch?

Becca Goodman 27:41
I think so. I'm bad with directions. Okay?

I'm like 98

but doing art every day,

Dan Moloney 27:52
doing art every day, you

Becca Goodman 27:54
tell me what's coming up. You tell me I'm available,

Dan Moloney 28:01
if you feel so inclined, you can give her a call there. And if, if, if someone is looking to give you a call or looking to learn more about you, where can they find you at?

Becca Goodman 28:12
You can find me at bagheer. That's B, A, G, E, C, K, a, on Instagram or bagca.com and again, that's how a chicken says my name, bach, bach, Bucha. Just so you remember Bucha,

Dan Moloney 28:28
all right. Well, that was tight

Dan Bulgatz 28:31
co hosts Find us at, I

Dan Moloney 28:33
don't know where. I don't know Dan,

where can they find us at?

Dan Bulgatz 28:36
You can find us at graffiti park.org, or on Instagram or feedy Park. Underscore, LV, all around town, catch us out.

Dan Moloney 28:47
I hope that our banter has made your day more beautiful. Do

Becca Goodman 28:51
you want to end it with a tongue twister? Get

Dan Moloney 28:53
out there and create I think I have one more. Do

Becca Goodman 28:57
you just want to do that?

Dan Bulgatz 28:58
Human Torch was denied a bank loan. However, he also was an artist, so he used it to progress his career forward

Dan Moloney 29:07
11 benevolent elephants.

Dan Bulgatz 29:12
Thank you for listening graffiti, Park Radio.